Architecture practice Robbrecht and Daem have designed a new semi-open
pavilion in the Hortiflora flower gardens of Antwerp's Middelheim
Museum. Photography: Joris Casaer
'It's absolutely not a white cube,' says Belgian architect Paul Robbrecht about the new pavilion his Ghent-based practice Robbrecht and Daem(also responsible for the renovation and extension of London's whitechapel Gallery has designed for the Middelheim
open-air sculpture museum in Antwerp. Pointing out the exposed columns
and 'knots' where the beams have been welded into the green steel
structure, he adds: 'What we really wanted to do was make a building
that shows how it is built, that shows the tectonics of construction.'
The brief for the semi-open structure was straightforward. 'It was for a
pavilion that would have real contact with nature, with the landscape
around it, a place where smaller or fragile works of art could be shown,
or works that needed a more framed setting,' says Robbrecht. The
colourful but unsettling glossy ceramic heads and urns of German artist Thomas Schutte
displayed here were created especially for the pavilion's inauguration
and contrast ingeniously with the smooth concrete floors, geometric
lines and angles of the roof and the special 'topography' of the
ceiling, which 'looks as if it's moving'.
The pavilion represents nature in architecture, says Robbrecht. Two
trees have been planted at opposite ends of the space and steel
lattice-patterned screens (which can be pulled across the four openings
to close the pavilion at night) create extraordinary dappled effects as
if light is coming through the branches of a tree. 'You could almost
think it's a roof of leaves above you,' Robbrect says excitedly.

No comments:
Post a Comment